Messages to the Majors – Break/Flow 1 – Record Reviews (1996)
Titled Messages to the Majors these are the record reviews from Break/Flow 1, mostly written by Flint Michigan and a couple by Christoph Fringeli – and one by Michel Foucault!
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Datacide Issues
Techno: Hallucinating History! >>> part one: Joe Meek and Telstar
Joe Meek, a pioneering independent music producer, created the hit “Telstar” in 1962 using innovative techniques like overdubbing and echo in his home studio. Known for his experimental approach, he produced the avant-garde concept album *I Hear a New World*. Meek’s career ended tragically in 1967 when, plagued by paranoia and legal issues, he killed his landlady before taking his own life.
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Autonomous, Palpable and Pulpable (1996)
Print reviews from the first edition of Break/Flow from 1996, featuring Degenerative Prose, Erik Belgum, Asger Jorn, the state of British anarchism, TEchnoscience and Cyberculture, Félix Guattari and a techno zine round up.
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“Long Live Death!” – On Pasolini’s Salò (2024)
This text on Pasolini’s Salò first appeared something like 25 years ago in Datacide No.6. It was part of a sequence of texts on cinema which began with a piece on Alan Pakula’s Parallax View and ended in a text on Kubrick’s Eyes Wide Shut.
Here Howard Slater returns to and revives his psycho-social analysis of Pier Paolo Pasolini’s last film Salò, or the 120 Days of Sodom.
The Electronic Disturbance Zone – Part 1
Following on from a talk/listening session given at the launch for Datacide 18 at Ridley Road Social Club in February 2020, Howard Slater expanded on the theme of the Electronic Disturbance Zone in the following work in progress.
General Outline: 0. Preamble (Sonic Theory, Pierre Schaeffer, EDZ at Dead by Dawn, techno and ambient) 1. Environment Recordings (Luc Ferrari, Murray Schafer) 2. Entity music (Walter Marchetti) 3. Drone (Eliane Radigue, Roland Kayn) 4. Aural collage (John Cage, Luc Ferrari, Industrial) 5. Studio Based Electronics (Stockhausen, Bernard Parmegiani ) 6. Live Electronic Improvisation (David Tudor, Morphogenesis etc) 7. Hybrids/ Heterogeneity (decategorisation)
Part 2 of this text will appear in the next issue of Datacide and will cover Drone through to Studio Based Electronics.
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Vietnam, the Third World and the Self-Deception of the Left (1967)
In our series of documents on revolutionary history – for the first time in English: A critique of anti-Imperialism from Berlin 1967 based on the Situationist International’s ‘Address to Revolutionaries of Algeria and of All Countries’ which first appeared in Internationale Situationniste #10 in March 1966. With an introduction by Christoph Fringeli.
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Hundsteinweg – Text of Spoken Word performance by Joke Lanz
The text of a spoken word performance by Joke Lanz (of Sudden Infant fame), originally performed at a Datacide event in 2018 in Berlin, explores autobiographical impressions combined with poetry and sound.
Here you’ll find the full text, with embedded video of the performance and an exclusive collage by Joke Lanz.
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Industrial Music for Industrial People: Throbbing Gristle 1978
Excerpt from Ian Trowell’s new book Throbbing Gristle – An Endless Discontent, published by Intellect Books, details the first gig Throbbing Gristle played north of London in 1978, at the Wakefield Industrial Training College. Uncanny overlaps of TGs touring and the Yorkshire Ripper’s killing spree emerge.
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Human Pyramid 3 + 3 + 3
Human pyramid is a distinctive feature of the Italian gabber scene. Some of his initiates known locally as “Hardcore Warriors” started to rise up shoulders upon shoulders, deltoid upon deltoid until the strongest of the group touched the ceiling of the club. And in this very moment lights were back, the night was OOVVVEEERRR.
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