This text on Pasolini’s Salò first appeared something like 25 years ago in Datacide No.6. It was part of a sequence of texts on cinema which began with a piece on Alan Pakula’s Parallax View and ended in a text on Kubrick’s Eyes Wide Shut.
Here Howard Slater returns to and revives his psycho-social analysis of Pier Paolo Pasolini’s last film Salò, or the 120 Days of Sodom.
Re-incarnated in print form and collecting essays and texts by Howard Slater from 97-99, ( only a couple of which had been previously published in Autotoxicity), this edition is almost a book. Despite the disparate subject matter a kind of narrative unfolds tracing the “foretaste of freedom in those unexpunged communications that music and literature make tangible”
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Transgressions – A Journal of Urban Exploration appeared in 5 issues published by teh Geography Department of the University of Newcastle England in the mid-late 90s. Edited by Alastair Bonnett. Review Editor was Fabian Tompsett. This is a short review of issue 5 which appeared in Datacide 5.
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Information War, Cyberwar, Netwar, Anti-War, Technowar, Postmodern War are all new buzzwords in the field of military theory, buzzwords that are now becoming more commonplace and are entering the cultural mainstream. Article based on a talk at Public Netbase, Vienna from 1998.
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