Electro | Datacide

Controlled Weirdness: You’re too Young to Remember the Eighties on YouTube.

March 10, 2022April 11, 2022 datacide 0 Comments Acid House, Clubbing in the 80s, Dance music history, DJ Controlled Weirdness, Electro, house music, Warehouse parties

You’re too Young to Remember the Eighties – Dancing in a Different Time is the title of an article CW

Datacide 18 Reviews

Datacide 18 Record Reviews by Controlled Weirdness

November 28, 2019June 6, 2022 Controlled Weirdness 0 Comments Acid, Electro, Record Review, Techno

The Wheel of Rituals[Viewlexx]Dirty industrial tinged techno/electro from a mystery artist. 6 tracks of unease and menace. Throbs and clangs

Datacide 18 Reviews

Datacide 18 Record Reviews by Low Entropy

November 19, 2019November 28, 2019 Low Entropy 0 Comments Acid, Current 909, Doomcore, Drvg Cvltvre, Electro, Gabber, Hardcore, Patric Catani, Record Review, Taciturne, The Mover, Umwelt

Current 909:Something with Black in the Name[aufnahme + wiedergabe – [a+w XXIII]]Current 909 is the project of Pure, who should

Datacide 17 Reviews

Datacide 17 Record Reviews by Nemeton

February 26, 2018November 28, 2019 nemeton 0 Comments Christoph de Babalon, Dasha Rush, Electro, Industrial, Katabatik, Killawatt, nemeton, Rave or Die, Record Review, Scalameriya, Somatic Responses, Techno

Christoph de Babalon: Grim Zenith EP [VIS005] We haven’t had an EP vinyl from CDB in many years, really since

Datacide 16 Reviews

Datacide 16 Record Reviews by Controlled Weirdness

June 8, 2017June 20, 2017 Controlled Weirdness 0 Comments Disco, Electro, Techno

Murray CY Conformist [L.I.E.S.] Dirty techno how it should be. Slow and shuddering with constantly mutating grooves that sound like

Articles Datacide 16 Reviews

Datacide 16 Record Reviews by Low Entropy

June 7, 2017December 22, 2017 Low Entropy 0 Comments Electro, Hardcore, Low Entropy

14anger & Dep Affect Evasive Crapspeak EP [Badmouth003] 14anger is Clément Perez, who is far from being an unknown man

Datacide is a magazine that covers experimental electronic music, from the avantgarde to hard dance music, its intersections with radical politics and counterculture, in-depth political and historical analysis and critique as well as experimental fiction, poetry and visual works. In each issue there is an extensive record review section as well as detailed book reviews, comics and news items.

Datacide is not affiliated with or part of any specific political group but engages in a revolutionary critique that rejects the historically discredited strains of leftism associated with Social Democracy and Leninism, drawing instead on the rich heritage of dissident Marxism, libertarian communism and critical theory.

Datacide is a critical voice in the increasingly irrational and rightward lurching ‘posttruth’ times of conspiratorial world views and identity politics.