Datacide 6 | Datacide

Critical Art Ensemble Autonomedia, 1998 Critical Art Ensemble’s first two volumes, The Electronic Disturbance and Electronic Civil Disobedience, established that

Articles Datacide 6 Datacide Issues

>144 ahead<

January 26, 2009January 26, 2009 Reverend Butech 0 Comments Fiction

folsom was just coming in. jackson, in his studio recognised the slam and nipped the needle out of his arm.

Articles Datacide 6 Datacide Issues

Wreck‘n’Roll

January 26, 2009 Rachael Kozak 0 Comments gender, music theory

Further into the Mission of the HWF… EIght months have passed since the formation of the Homewrecker Foundation and with

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Chrome

January 26, 2009February 6, 2009 Christoph Fringeli 2 Comments music theory, Record Review

San Francisco mid-seventies, a dark shadow is hanging over Height Ashbury, hippie burnouts populating the streets – Deadheads, locked in

Articles Datacide 6 Datacide Issues

Al Sayhah

January 26, 2009 datacide 0 Comments music theory

“A book is made up of signs that speak of other signs” Umberto Eco “Disinformation” records clearly aspire, like Dr

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Datacide is a magazine that covers experimental electronic music, from the avantgarde to hard dance music, its intersections with radical politics and counterculture, in-depth political and historical analysis and critique as well as experimental fiction, poetry and visual works. In each issue there is an extensive record review section as well as detailed book reviews, comics and news items.

Datacide is not affiliated with or part of any specific political group but engages in a revolutionary critique that rejects the historically discredited strains of leftism associated with Social Democracy and Leninism, drawing instead on the rich heritage of dissident Marxism, libertarian communism and critical theory.

Datacide is a critical voice in the increasingly irrational and rightward lurching ‘posttruth’ times of conspiratorial world views and identity politics.