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1996 Articles Break/Flow 1 Record Reviews

BreakFlow September 18, 2024September 18, 2024 0 Comments Christoph de Babalon, Electro, Record Review, Somatic Responses, Underground Resistance

Messages to the Majors – Break/Flow 1 – Record Reviews (1996)

Titled Messages to the Majors these are the record reviews from Break/Flow 1, mostly written by Flint Michigan and a couple by Christoph Fringeli – and one by Michel Foucault!

2023 Datacide 19

Howard Slater June 24, 2024July 17, 2024 0 Comments Dead By Dawn, Electronic Disturbance Zone, Luc Ferrari, music theory, Nomex, Walter Marchetti

The Electronic Disturbance Zone – Part 1

Following on from a talk/listening session given at the launch for Datacide 18 at Ridley Road Social Club in February 2020, Howard Slater expanded on the theme of the Electronic Disturbance Zone in the following work in progress.

General Outline: 0. Preamble (Sonic Theory, Pierre Schaeffer, EDZ at Dead by Dawn, techno and ambient) 1. Environment Recordings (Luc Ferrari, Murray Schafer) 2. Entity music (Walter Marchetti) 3. Drone (Eliane Radigue, Roland Kayn) 4. Aural collage (John Cage, Luc Ferrari, Industrial) 5. Studio Based Electronics (Stockhausen, Bernard Parmegiani ) 6. Live Electronic Improvisation (David Tudor, Morphogenesis etc) 7. Hybrids/ Heterogeneity (decategorisation)

Part 2 of this text will appear in the next issue of Datacide and will cover Drone through to Studio Based Electronics.

2023 Datacide 19 Record Reviews

nemeton October 25, 2023July 5, 2024 0 Comments Evar, Minion, Otto von Schirach, Pansophia, Record Reviews, Thac0, YB70

Datacide 19 Record Reviews by Nemeton

Record reviews by Nemeton from Datacide 19 feature new releases by Minion, Pansophia, Maria W Horn & Mats Erlandsson, Katran, Kindohm, Otto von Schirach & Qebrus, and Anodyne.

2023 Datacide 19 Record Reviews

Christoph Fringeli October 22, 2023July 5, 2024 0 Comments C Mantle, Cathartic Noize Experience, Dot Product, Fire At Work, GRMMSK, Gwakaï, HFK, KK Null, Prspct, R-Zac, Scorn, Sozialistischer Plattenbau, Taciturne, The DJ Producer

Datacide 19 Record Reviews by Christoph Fringeli

Record reviews by Christoph Fringeli from Datacide 19 feat. new releases on vinyl by GRMMSK, Gwakaï, The DJ Producer, Scorn, HFK, KK Null/Dot Product, R-Zac, Taciturne, C Mantle as well as compilations from Stirpe999 and Sozialistischer Plattenbau.

2019 Datacide 18 Record Reviews

Christoph Fringeli December 16, 2019July 24, 2024 0 Comments Bloody FIst, Caustic Visions, DJ Producer, Malignant Earth, No Name, Somatic Responses, Spin Dynamics, The Mover

Datacide 18 Record Reviews by Christoph Fringeli

Christoph Fringeli’s record reviews from Datacide Eighteen feat. releases by No Name, The Mover, FFF, Max Durante, Toysfornoise and more.

2019 Datacide 18 Record Reviews

Low Entropy November 19, 2019July 8, 2024 0 Comments Acid, Current 909, Doomcore, Drvg Cvltvre, Electro, Gabber, Hardcore, Patric Catani, Record Review, Taciturne, The Mover, Umwelt

Datacide 18 Record Reviews by Low Entropy

Low Entropy record reviews from Datacide 18, written in 2019, feat. Current 909, Patric Catani, Umwelt, Drvg Cvltvre, Taciturne, The Mover.

2017 Articles Datacide 17

Howard Slater April 22, 2018July 23, 2024 0 Comments Félix Guattari, Octavio Getino, Peter Watkins, Post-Media, Teshome Gabriel, Third Cinema

Unparaphraseable Life – Notes on Third Cinema

Picking up again on Félix Guattari’s notion of ‘post media’, Howard Slater here explores the liberating aspects of the Third Cinema of such directors as Djibril Diop Mambéty and Med Hondo. Drawing on the writings of Teshome Gabriel this text reveals Third Cinema as being an ever-valid challenge to mainstream Western notions of the cinema as a conditioning monoform.

2017 Articles Datacide 16

Strelnikov September 13, 2017November 5, 2024 0 Comments Charles Manson, Martial Industrial, Michael Moynihan, Neo-Nazis, Neofolk

Siege Mentality – Mason, Manson, Moynihan: On the Fringes of the American Nazi Movement

Michael Moynihan has gained a reputation as an intellectual despite his association with fascist and occult circles. He collaborates with other fascist artists, publishes fascist-leaning works, and promotes extremist ideologies. One of Moynihan’s key contribution is publishing ‘Siege’ by James Mason, a collection advocating violence, racial hatred, and revolutionary nihilism, promoting Charles Manson as a new Führer.