Datacide 18 Record Reviews by Christoph Fringeli

No Name
[Rouge de Colere Live 02]
Rouge de Colere Live is a sub-series of the Toolbox sublabel Rouge de Colere which has over many years produced a (small) number of (mostly) interesting cross-over records somewhere between hardtek, hardcore, breakcore and speedcore, some of which have been reviewed in datacide before (most recently the HFK record in datacide seventeen). The live series somewhat runs parallel to the Acid Night Live series (see elsewhere in this issue), but even so this particular release is a special one. Spread over the double vinyl format in a way so the original live set could be re-created by a DJ – the beginning is on side A, the continuation is on side C, then mix in side B, then finish with side D.
No Name of course first drew attention with releases starting in 1996 on labels such as Anticore and Fischkopf. In the article ‘Bonjour Vitesse’ in datacide one the music she and her sister (who usually releases under the name Mouse) make, was described as “some of the most out-there experimental and visionary records ever made in the context of super-fast hardcore”.
Over the more than 20 years the music itself has retained its specific qualities and intensity and this live set spread over four sides is quite a trip, and while not strictly speaking innovative now, is still very unique and the double red vinyl with picture sleeve is a nice collectible item.

The Mover
Selected Classics (Remastered 2017)
[BOIDAE 002]
KillEKill sublabel BOIDAE surprised some heads with a timely Mover retrospective in 2017; timely in so far that the year 2017 always featured as a mysterious reference to a dark phuture emanating from the early catalogue of the Frankfurt based label group Planet Core Productions, also known as PCP.
PCP were versed in the “art of the record label”, setting up a myriad of conceptual sublabels and while there were a few other musicians involved, Marc Trauner, aka The Mover was the one who contributed the vast bulk under a dizzying number of pseudonyms.
PCP was also central to some international hook-ups. Industrial Strength, the label run by Lenny Dee and Jennifer Williams in the early 1990s, even started their catalogue with a double AA-side 12” featuring The Mover and his alias Mescalinum United, and both tracks are featured on the BOIDAE double album.
Furthermore there are two tracks from the very first Mover 12”s Frontal Sickness Volumes each. From 1991 (PCP 005) and 1992 (PCP 008), Nightflight (Nonstop 2 Kaos) and Into Wasteland, and Astral Demons and Invite the Fear respectively. There’s Final Sickness from Frankfrut Trax Vol.4, there’s Waves of Life from the split EP with Alien Christ, also a Mover pseudonym (PCP 934).
Only one of the tracks is from album Final Sickness (The Emperor Takes Place).
The track order of the digital release – which features two extra tracks – is different than the order on vinyl, most notably in so far that the ferocious We Have Arrived is the opening piece of the digital, while it has been relegated to D1 on vinyl.
Also what seems to be a major omission of the vinyl version is that Over Land & Sea from the momentous Signs of ‘96 12” is only on the digital version. The other digital-only track is a second track, Spirit Slasher, from the much later Tresor album (Frontal Frustration, 2002).
It almost goes without saying that you should pick up this compilation unless you already have a few of the original releases, although by the time this issue of datacide hits the street the vinyl may already be deleted.

FFF: Dubcore Volume 12
FFF: The Superpowers
[PRSPCT RVLT 019]/ 24/7 Soundkiller [PRSPCT RVLT024]

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Datacide 15 Record Reviews by Zombieflesheater

 

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toysfornoise / Coexsystems
Insecticide / Acid Wastelands
[Audio Riots 03]

Release number three on the Audio Riots label, a transparent blue 7” , limited to 202 copies, with tracks by Netherlands’ toysfornoise on side A, dystopian metallic background noises, acid modulations and a bassdrum that reminds me of some tekno. The other side by the label boss Coexsystems, with a harder bass drum than on side A, and a more noticeable acid line, straight forward and punchy, classic acid hardcore with a modern face.

8Cylinder
Pour The Poison Out And Let Them Play Until The End
[Unmapped North 03]
Freshly released on 2×10” comes this nice, 100 copies limited, package of 8 tracks from Thac0 and Unmapped North head 8Cylinder. The sleeve design is hand silkscreened and suits the other releases on the label, a very nice overall look as usual from this pittsburgh label. The first plate has six tracks with slow broken beats, very genre free, unpredictable modular-like sounds with a doomy atmosphere, deranged beat constructs which are maybe not easy to get into on the first listen, but that is definitly something good in this case. The second plate goes in the same direction, just that it contains two long single take recordings, which are a little wilder and faster, with bit crushed synths and a straighter beat that reminds of older 8Cylinder tracks or Theeq. More of that, please.

Ripit
Reverse 12
[Bruits De Fond 23]
This release was planned to come out on Reverse Records, but due to the tragic death of label owner and mastering engineer Yann Dub, those tracks remained unreleased till now. Bruits De Fond took over to make them available as a digital release. Six tracks from 2002-09, of which 4 are collaborations with A034, Hecate, Skatolo and Creminel. Excellent, dark, industrial broken beats. [Read more →]