A double page spread in the first issue of Alien Underground dealt with the (then) threat of the new Criminal Justice Bill (which was to become law in as the 1994 Criminal Justice Act shortly after with minor alterations) in three sections. The first was more of an opinion piece, the second a brief rundown of central sections of the law, the third a report on (then) recent protests. Published in 1994 in Alien Underground 0.0
Read MoreInterview with Tommi Grönlund from Sähkö Recordings published in Alien Underground 0.0 in 1994. In the short time of their
Read Morefrom Alien Underground 0.0 (London 1994) -signals received by Deadly Buda-
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Digital Hardcore Recordings interview from the first issue of Alien Underground from 1994 plus reviews of the first three releases.
Read MoreRecord Review section of Alien Underground 0.0 with reviews by Flint Michigan, Sentinel, Deviant, and CF
Read MoreShort article – or review series – on Hardcore beyond Gabber in Alien Underground 0.0 (London 1994): About 2 years
Read MoreFrom Alien Underground 0.0, London 1994 by Praxis Nothing Essential Happens in the Absence of Noise Techno is the culture
Read MoreBelief is the Enemy is an invective by the ‘East London Section’ of the London Psychogeographical Association, published in 1994 in Alien Underground, the pre-cursor of Datacide.
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In “The Electronic Disturbance,” Critical Art Ensemble explores resistance in the technological age, emphasizing the concept of “liquescence” and the elusive nature of modern power. They advocate for electronic resistance against privatized public spaces, or “bunkers,” and propose small, non-hierarchical groups using technology to create impactful, coordinated acts of civil disobedience. Book review by Flint Michigan.
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