REVIEW: Jeff Mills at Cable, London, 26.08.2012
‘In the creation of this concept all sectors were represented by rhythmatic formations’ – Millsart, Humana (AX-12).
‘Slower tempos are just kind of connected to the idea of thinking more about what the music is trying to say’ – Jeff Mills.
During this eagerly awaited 4 hour set, Jeff Mills didn’t play any Underground Resistance or Purpose Maker tunes. Anyone thinking that during such a long set – by conventional club standards – a wide variety of styles and genres might be featured, had it all wrong.
I experienced this set as some of the most forward thinking techno music (futuristic sound) I’ve heard frequency-wise. In what it conveyed, JM’s sound continues to remain underground – beneath the radar of controlling forces – and resistant – challenging pre-formed conceptions in order to prepare a more harmonious world (so that we might leave?). [Read more →]
AUTONOMOUS PRINT CREATIONS- SOME REVIEWS
Published in 1995 in Alien Underground 0.1 (1995!! – so please note that almost all if not all the addresses of the reviewed publications are out of date, so don’t send cash or cheques, we leave the addresses as references only!)
…these print creations are cultural noises, small unexplained pockets of activity, interference to the flow of the mainstream, easy to ignore but hard to fully grasp or define… [Read more →]
Lobster 57 (The last hard copy Lobster)
(Hull, Summer 2009, ISSN 0964-0436)
Lobster is a magazine for “parapolitics” that has been appearing since 1983 at roughly two issues per year, edited by Robin Ramsay.
The main themes have always been the machinations of the secret state and various conspiracy theories, so MI5 and MI6, New Labour, Mind Control, JFK, Diana’s death etc featured prominently. Interestingly they stayed more or less clear of 9/11 conspiracy theories.
As announced on the cover of the latest issue, this is the last one in paper format, since Ramsay says he can’t be bothered to take care of printing and distributing 1’000 copies as on the internet many more readers could be reached without the hassle the former implies. If this is true remains to be seen [Read more →]
The feature length film “Saila” by Julia Ostertag situates in the industrial ruins of East Berlin a visceral enactment of post apocalyptic terror. The remnants, both broken people and destroyed environments, after the near end of the world are never given a reason for continued life, nor is it ever specified what catastrophes coalesced to become everyday life for the film’s protagonists. “Saila” can be viewed as an experimental project that attempts to critique film as a visual medium and standardized genre by doing away with traditional narrative strategies such as linear character development and causal storytelling. [Read more →]
‘If you ask for my life, I will stab you in the heart’
Four black and white camera angles show a subway station; no sound. A train arrives, people get on and off. The lights of the next train shine from the tunnel. An agitated man descends onto the tracks. His final moments are recorded in monochrome, 15 frames per second, 13, 14, 15.
In 2006’s “The Description of Bankruptcy”, director Lee Kang Hyun carries forward the haunting violence of this moment, the despair in the jumper’s anonymous fate and the events which would compel it in order to provoke reflection on the financial crisis of 1997 and its aftermath. Images of Seoul are overlapped with radio channel chatter, news reports stream lifestyle advice atop cityscapes. We are taken from one scene to another. Everyday life goes on in industrial spaces; a printing press rapidly stamps paper. Traffic passes through Seoul: ‘People who don’t smile a lot have wrinkles in their face’, a stone-faced man stacks papers in a printing machine, his gloves stained red. ‘…smile out loud as much as you can. One who smiles a lot also has less chance for mental illnesses such as hypochondria.’ Other workers steam-press clothing in a factory with the radio confidently declaring: ‘The time has come when all power comes from the people, as stated in the Constitution article 1.’ We are not given any cues to celebrate. Steam rises from the cloth.
[Read more →]