Uniformity breeds content breeds conformity… What were the 80s? What was 80s music? When D’Arcangelo throw an acoustic psychogeographical spanner into the works everyone behaves like Pavlov’s dogs. I’m told that one side of their ep is “a joke” or “a waste of time”, that I should go for the noise side and ignore the other.
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‘Darkness can be panoramic and searing enough to provide sufficient space for emotions other than those that are socially-sanctioned and saccharine. Satisfaction is not exhilarating… the attainable is uninteresting: at the end of Taxi Driver what are we to make of Travis Bickle’s glance into the rear-view mirror?’
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A short book review of Mind Invaders – A Reader in Psychic Warfare, Cultural Sabotage and Semiotic Terrorism, an anthology edited by Stewart Home and published by Serpent’s Tail in 1997.
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All the record reviews from Datacide Two with many classic tunes by the likes of Mouse, Burning Lazy Persons, Brutal Chud, Widerstand, Ambush, Bloody Fist, S.O.D.O.M., Explore Toi and many more! Reviews by the border fox, Christoph Fringeli, Eun, Nomex, The Reverend and more.
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Trocchi – The Transversalist is a book review of A Life in Pieces – Reflections on Alexander Trocchi, a biography
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In London in the first half of 1997, Weimar Germany came back to London with a discreet vengeance. Dr.Hans Prinzhorn’s ‘Art of the Insane’ (collected 1919-1922) at the Hayward Gallery, George Grosz at the Royal Academy, Marlene Dietrich – the West End musical, and August Sander’s ‘exact’ photography at the National Portrait Gallery.
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Extensive record review section from Datacide 3 provides further evidence on just how many great records came out in that period. Much hardcore, breakcore, drum’n’bass and experimental stuff reviewed by the border fox, Dan Hekate, Christoph Fringeli, Flint Michigan, Nomex, Scud and more!
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The Spanner case started in 1987 when the Manchester police, through their large scale “Operation Spanner”, seized a number of videos of sado-masochistic activities involving a large group of gay men, and became a landmark case in the 1990s where consensual sadomasochistic activities were criminalised.
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Interview from 1997 with Joel Bevacqua aka Deadly Buda about the early years of the rave scene in the United States and his journey from graffiti artist to hardcore DJ.
About hard techno and raves in the smaller cities of the continent as well as issues of record production and distribution.