The closing text of Break/Flow 2 is an experiment in theoretical fiction that attempts to summarise some of the themes that preceded it: namely voluntary servitude as it coincides with sado-masochism. This latter is rendered as a metaphor for capitalist social relations, their criticism and transformation.
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LIBREVILLE – introduction – counter/induction is the introductory text to the second print issue of Break/Flow from 1999. Written by Break/Flow editor Howard Slater.
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Break/Flow in the Shadow City is the introductory text by Howard Slater for the first print edition of Break/Flow from 1996.
‘Break/Flow is an autonomous publication that hopes to function in several spaces simultaneously. Though inspired by music, theory, politics, and the literary, it is intensified enough to follow trajectories out of these never once isolatable spheres and inhabit the connections between them. The record is read. The text is played. The historic expands into the present.’
Telly Makes Us The gridded tower on Winter Hill caps a corncob of narrative command. The seemingly benign
Read MoreUntitled The trauma recedesinto an equipping learnedness.Not to yield to.Not to wield.Its partner will comein a devastating minim. 8/3/2010
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Praxis + Break/Flow – Communist 7″ Product Blueprint was a (fictional) project bringing together Marx quotes, vinyl and critique; Cornelius Cardew and Royal Family & The Poor.
Read More“A gigantic cultural revolution is underway. Free expression and the joy of bodies, the autonomy, hybridisation and the reconstruction of
Read MoreStanley Kubrick: Eyes Wide Shut [Warner Brothers] “That’s what you say now, so at this moment you may even believe
Read MoreNo one recognises these powers as their own (Why Theory?) We have to dispense with the idea that theorising occurs
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