Telly Makes Us The gridded tower on Winter Hill caps a corncob of narrative command. The seemingly benign
Read MoreUntitled The trauma recedesinto an equipping learnedness.Not to yield to.Not to wield.Its partner will comein a devastating minim. 8/3/2010
Read More“A gigantic cultural revolution is underway. Free expression and the joy of bodies, the autonomy, hybridisation and the reconstruction of
Read MoreStanley Kubrick: Eyes Wide Shut [Warner Brothers] “That’s what you say now, so at this moment you may even believe
Read More‘Communist’ Seven Inch Product Blueprint Side A Cornelius Cardew: Smash Smash The Social Contract Side B Royal Family & The
Read MoreNo one recognises these powers as their own (Why Theory?) We have to dispense with the idea that theorising occurs
Read MoreAfter a long wait the second printed edition of Break/Flow is out. Following on from the first Break/Flow magazine, and
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Before Pakula made his well known All the Presidents Men, a film which centres directly on the Watergate debacle, he made The Parallax View, a film which expands the ‘private’ scenario of Klute into a wider social setting and which makes links between government, corporations and the assassinations of the 60s at the same time that it self-reflexively draws further attention to the power-wielding manipulations inherent in mainstream cinema.
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‘Darkness can be panoramic and searing enough to provide sufficient space for emotions other than those that are socially-sanctioned and saccharine. Satisfaction is not exhilarating… the attainable is uninteresting: at the end of Taxi Driver what are we to make of Travis Bickle’s glance into the rear-view mirror?’
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