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Stewart Home

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Stewart Home Interview Part Three

Starting with Come Before Christ and Murder Love, Stewart Home’s books saw quite a departure from his skinhead-influenced early novels. He started experimenting with different approaches to forms of anti-novels in books such as 69 Things to Do with a Dead Princess, Memphis Underground, The Nine Lives of Ray the Cat Jones and most recently Art School Orgy. In this last part of our interview we talk about these different approaches and how they undermine literature as we know it.

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Stewart Home Interview, Part One

Part 1 of our exclusive full length interview with author Stewart Home, conducted in November 2023 in London.

In this first part (of two) Stewart discusses the early years, producing SMILE magazine, writing his early fiction and publishing his first novel, Pure Mania, and historicising the post war Avant-garde with his 1988 book The Assault on Culture, Neoism, the 1990-1993 Art Strike and how it all lead to reading Hegel and watching Kung Fu Movies – and more!

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2024The Molehill Report
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The Molehill Report #13 – January 2024

January 2024: We present the new print edition of Datacide – Magazine for Noise & Politics, show someexcerpts from an extensive interview with Stewart Home about his early years, his book The Assault on Culture and the Art Strike 1990-1993, as well as updates with some other developments at Datacide and Noise & Politics.

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2023The Molehill Report
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The Molehill Report #12 – August 2023

August 2023: We present excerpts of an interview with Dan Hekate aka The Wirebug, there are two recent releases in the Praxis Digital Remix Series, Alex Buess has relaunched Skin & Speech Recordings, Controlled Weirdness presents his new podcast “Tales from a Disappearing City”, Stewart Home has a new book out and Sozialistischer Plattenbau has re-issued Kovert’s Hybrid Riddim.

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Fluxus and DIY Concerts

Many different art movements of the twentieth century have influenced experimental music. This essay will focus mostly on the effect the Fluxus movement has had on music. Fluxus was particularly important to the development of an understanding that music does not necessarily have to be harmonic, and most importantly, that anyone can create music by organizing everyday sounds.

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