The record industry is in the process of being outflanked by means of the very processes that it has come to rely upon. Since the 60s its continual efforts to create new needs has meant that it nurtured an everchanging musical soundscape that is now mutating at such a pace that it cannot keep track long enough to harness these musical evolutions in the direction of profit.
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One area of electronic dance music that doesn’t seem to be being explored is a more fucked up and experimental use of the slow-break. Force Inc.’s Electric Ladyland series is an exception and one of its frequent contributors, 4-E, has been plying this approach over a series of releases.
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Uniformity breeds content breeds conformity… What were the 80s? What was 80s music? When D’Arcangelo throw an acoustic psychogeographical spanner into the works everyone behaves like Pavlov’s dogs. I’m told that one side of their ep is “a joke” or “a waste of time”, that I should go for the noise side and ignore the other.
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‘Darkness can be panoramic and searing enough to provide sufficient space for emotions other than those that are socially-sanctioned and saccharine. Satisfaction is not exhilarating… the attainable is uninteresting: at the end of Taxi Driver what are we to make of Travis Bickle’s glance into the rear-view mirror?’
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A short book review of Mind Invaders – A Reader in Psychic Warfare, Cultural Sabotage and Semiotic Terrorism, an anthology edited by Stewart Home and published by Serpent’s Tail in 1997.
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All the record reviews from Datacide Two with many classic tunes by the likes of Mouse, Burning Lazy Persons, Brutal Chud, Widerstand, Ambush, Bloody Fist, S.O.D.O.M., Explore Toi and many more! Reviews by the border fox, Christoph Fringeli, Eun, Nomex, The Reverend and more.
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Trocchi – The Transversalist is a book review of A Life in Pieces – Reflections on Alexander Trocchi, a biography
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In London in the first half of 1997, Weimar Germany came back to London with a discreet vengeance. Dr.Hans Prinzhorn’s ‘Art of the Insane’ (collected 1919-1922) at the Hayward Gallery, George Grosz at the Royal Academy, Marlene Dietrich – the West End musical, and August Sander’s ‘exact’ photography at the National Portrait Gallery.
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Extensive record review section from Datacide 3 provides further evidence on just how many great records came out in that period. Much hardcore, breakcore, drum’n’bass and experimental stuff reviewed by the border fox, Dan Hekate, Christoph Fringeli, Flint Michigan, Nomex, Scud and more!
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