Guy Debord | Datacide

Fluxus and DIY Concerts

November 13, 2016November 14, 2016 Guoda Diržyte 2 Comments Alytus Biennial, DIY, Fluxus, George Maciunas, Guy Debord, Nam June Paik, Philip Corner, Situationist International, Stewart Home

Many different art movements of the twentieth century have influenced experimental music. This essay will focus mostly on the effect

Film/Video

Class Wargames – Full Movie

October 24, 2013October 24, 2013 datacide 0 Comments Class War, Guy Debord, Situationist International

and the “extended Film Script” by Richard Barbrook and Fabian Tompsett is now available from the Praxis Shop!

Articles Datacide 8

Godard – The Child of Marx & Coca-Cola

February 16, 2013November 2, 2022 Howard Slater 0 Comments Film Theory, Godard, Guy Debord, Situationist International

On Godard’s Masculin/Féminin (Now? The SI?) For many still overawed by the pronouncements of the Situationist International the names of

Alien Underground Articles

In Girum Imus Nocte Et Consumimur Igni – Guy Debord Obituary (1995)

September 28, 2010July 12, 2014 datacide 0 Comments Alien Underground, Guy Debord, Media, Situationist International

“At night we walk in a circle and are consumed by fire” Guy Debord Obituary by Michel Comte, published in

Datacide is a magazine that covers experimental electronic music, from the avantgarde to hard dance music, its intersections with radical politics and counterculture, in-depth political and historical analysis and critique as well as experimental fiction, poetry and visual works. In each issue there is an extensive record review section as well as detailed book reviews, comics and news items.

Datacide is not affiliated with or part of any specific political group but engages in a revolutionary critique that rejects the historically discredited strains of leftism associated with Social Democracy and Leninism, drawing instead on the rich heritage of dissident Marxism, libertarian communism and critical theory.

Datacide is a critical voice in the increasingly irrational and rightward lurching ‘posttruth’ times of conspiratorial world views and identity politics.