Prevention of Terrorism?
Largely unnoticed by the public the Labour government has been sneaking in “anti-terrorist” legislation in the wake of the Omagh
Read MoreLargely unnoticed by the public the Labour government has been sneaking in “anti-terrorist” legislation in the wake of the Omagh
Read MoreSomewhere near the end of ‘Apocalypse Now’ Colonel Kurtz, sitting in the almost impenetrable darkness, utters the memorable line: “They teach young men to drop fire on people, but won’t allow them to write ‘Fuck’ on their aeroplanes because they consider it obscene”.
Read MoreLabelled “one of the most significant financial sponsors of Islamic extremist activities in the world” Osama Bin laden has been
Read More11 days before the election the president is suddenly facing a sex scandal after disappearing into his office with a teenage girl. A task force is set up, led by Robert de Niro, and it is decided the thing to do to get the sex scandal out of the headlines is go to war.
Read MoreZusumine has recently been outlawed in all known sectors of the outer worlds. The Inner worlds have always regarded any drug not taken anally to be illegal. For them, any human who didn’t participate in reverse enemas when partaking of their narcotics was forsaking God and should be Glasmorised immediately.
Read MoreBefore Pakula made his well known All the Presidents Men, a film which centres directly on the Watergate debacle, he made The Parallax View, a film which expands the ‘private’ scenario of Klute into a wider social setting and which makes links between government, corporations and the assassinations of the 60s at the same time that it self-reflexively draws further attention to the power-wielding manipulations inherent in mainstream cinema.
Read MoreReview of the conspiracy fest “Virtual Government” by Alex Constantine, published in 1997 by Feral House. Though not uncritical, the book gets treated a bit too lenient… from 1998.
Read MoreInterview with Mark Newlands of Bloody Fist Records from Newcastle Australia with questions asked by Christoph Fringeli of Praxis/Datacide conducted in London in 1997.
“As for our position in the hardcore scene, I don’t know, and I’m not really that interested in keeping a check on that; we do what we do, and if that means we’re stuck off in a corner away from everyone else, then fine. If people are into it, if they think it’s good and it’s a worthwhile label then even better, but it’s not something we consciously work towards.”
The record industry is in the process of being outflanked by means of the very processes that it has come to rely upon. Since the 60s its continual efforts to create new needs has meant that it nurtured an everchanging musical soundscape that is now mutating at such a pace that it cannot keep track long enough to harness these musical evolutions in the direction of profit.
Read More