Timeline

1999ArticlesDatacide 5Film Reviews

Autotraumatisation – On the Movies of John Carpenter

An analysis of the movies of John Carpenter by Howard Slater from Datacide 5 (1999).
‘As we grow more accustomed to the control of the urban environment through surveillance, zero tolerance zones and regeneration projects it seems as if we inhabit a social world that is policed by technology and is obsessed with security. Just what this technology secures us from is as encrypted as the microchips and cables that power it. Maybe it secures us from ourselves: a constant reminder that we are being ‘watched’ which comes to strengthen the internalisation of those mechanisms of paranoia and stasis that an inherited morality has already instilled.’

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1997ArticlesDatacide 3Film ReviewsFilm/Video

PARALLAXED – A Dark 70s America

Before Pakula made his well known All the Presidents Men, a film which centres directly on the Watergate debacle, he made The Parallax View, a film which expands the ‘private’ scenario of Klute into a wider social setting and which makes links between government, corporations and the assassinations of the 60s at the same time that it self-reflexively draws further attention to the power-wielding manipulations inherent in mainstream cinema.

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1997Datacide 3Interviews

Interview with Mark Newlands / Bloody Fist 1997

Interview with Mark Newlands of Bloody Fist Records from Newcastle Australia with questions asked by Christoph Fringeli of Praxis/Datacide conducted in London in 1997.
“As for our position in the hardcore scene, I don’t know, and I’m not really that interested in keeping a check on that; we do what we do, and if that means we’re stuck off in a corner away from everyone else, then fine. If people are into it, if they think it’s good and it’s a worthwhile label then even better, but it’s not something we consciously work towards.”

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1997Datacide 2

Post-media Operators

The record industry is in the process of being outflanked by means of the very processes that it has come to rely upon. Since the 60s its continual efforts to create new needs has meant that it nurtured an everchanging musical soundscape that is now mutating at such a pace that it cannot keep track long enough to harness these musical evolutions in the direction of profit.

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Datacide
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