1997

1997Datacide 2

Post-media Operators

The record industry is in the process of being outflanked by means of the very processes that it has come to rely upon. Since the 60’s its continual efforts to create new needs has meant that it nurtured an everchanging musical soundscape that is now mutating at such a pace that it cannot keep track long enough to harness these musical evolutions in the direction of profit.

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1997Datacide 2Record Reviews

The Realisation and Suppression of Techno

Uniformity breeds content breeds conformity… What were the 80s? What was 80s music? When D’Arcangelo throw an acoustic psychogeographical spanner into the works everyone behaves like Pavlov’s dogs. I’m told that one side of their ep is “a joke” or “a waste of time”, that I should go for the noise side and ignore the other.

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1997Datacide 2Record Reviews

Dark… Darker… Dirty: Taxi Tracks

‘Darkness can be panoramic and searing enough to provide sufficient space for emotions other than those that are socially-sanctioned and saccharine. Satisfaction is not exhilarating… the attainable is uninteresting: at the end of Taxi Driver what are we to make of Travis Bickle’s glance into the rear-view mirror?’

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1997Datacide 2

Gnostic Front – Cultural Studies and Other Suicide Cults

Gnosticism fundamentally opposes Greek and Christian concepts of time, presenting it as abrupt and revolutionary, instead of continuous or leading to redemption. Chris Lehman critiques the modern cultural use of Gnostic ideas, particularly by figures like Greil Marcus, arguing it fosters historical amnesia and trivializes resistance. He highlights the dangers of reducing complex histories to personal, symbolic gestures controlled by consumer capitalism.

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