Introduction to and interview with writer Ronald Sukenick, whose novels play with form, notions of time and the very ‘idea’ of the novel just as their characters experiment with identity, place, power and relationships. By Howard Slater from Break/Flow 1, 1996.
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Over the years, Alex Trocchi’s importance to British underground culture has been sorely neglected. The only published biography deals with Trocchi solely as a literary figure and skims over his association with the likes of Wallace Berman, Guy Debord, RD Laing, William Burroughs, Michael X and others. Rather than restrict Trocchi to this literary classification and berate him for never having come up with the goods after a promising start, it is better to take him on his own terms: as an energised cultural catalyst, one interested in meta-categorical (r)evolt, the insurrection of a million minds.
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On Anti-Oedipus by Gilles Deleuze and Félix Guattari subtitled Schizo-politics for Scallies from Break/Flow 1, 1996 with a short intro 2024.
In the aftermath of the Poll Tax rebellion sense of ‘disenchantment’ was rife. For Howard Slater the key zone of investigation became what could be termed Marxist-Freudianism and an ongoing engagement with Deleuze & Guattari’s Anti-Oedipus was pivotal.
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The main text from Praxis Newsletter 7 from 1995 was originally titled Break the Circle and was reprinted with a short update in the first issue of Break/Flow in 1996.
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Titled Messages to the Majors these are the record reviews from Break/Flow 1, mostly written by Flint Michigan and a couple by Christoph Fringeli – and one by Michel Foucault!
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Joe Meek, a pioneering independent music producer, created the hit “Telstar” in 1962 using innovative techniques like overdubbing and echo in his home studio. Known for his experimental approach, he produced the avant-garde concept album *I Hear a New World*. Meek’s career ended tragically in 1967 when, plagued by paranoia and legal issues, he killed his landlady before taking his own life.
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Print reviews from the first edition of Break/Flow from 1996, featuring Degenerative Prose, Erik Belgum, Asger Jorn, the state of British anarchism, TEchnoscience and Cyberculture, Félix Guattari and a techno zine round up.
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Today, the interior minister of Germany banned the far-right Compact Magazine in an unusual step.
Edited by former leftist Jürgen Elsässer and employing a clever multi-media strategy, it had become the most popular of an array of far-right publications seeking an “overthrow of the regime”.
This text on Pasolini’s Salò first appeared something like 25 years ago in Datacide No.6. It was part of a sequence of texts on cinema which began with a piece on Alan Pakula’s Parallax View and ended in a text on Kubrick’s Eyes Wide Shut.
Here Howard Slater returns to and revives his psycho-social analysis of Pier Paolo Pasolini’s last film Salò, or the 120 Days of Sodom.
