A review article of ‘Dark Star Rising: Magick and Power in the Age of Trump’ by Gary Lachman, 2018

Friday 13th July 2018 – The US President is on a visit to Britain and on the streets of London one of the biggest week day demonstrations in living memory is taking place, with as many as 250,000 people marching to Trafalgar Square to oppose Donald Trump. There is a wide range of banners, portable sound systems, marching bands (including ‘Trumpets Against Trump’) and home made placards weird and wonderful. It seems that every contemporary cultural reference point is being mobilised. A group of women in red are dressed as characters from the Handmaid’s Tale with a sign declaring ‘Gilead steals our babies too’ alluding to the caging of children of migrants caught crossing the Mexican border. Trump is satirised as a baby, as the devil (a placard pictures him with the caption ‘Not today Satan’) and as an evil dementor from the Harry Potter tales with the words ‘Expecto Patronum’ – the magic charm used by Potter to raise a spirit guardian to defend against the dark forces of Voldemort. )

But supposing occult forces really are at work in the Trump aeon? That is the thesis of Gary Lachman’s ‘Dark Star Rising: Magick and Power in the Age of Trump’ (2018), which sets out to explore the ‘new incursion of far-right occultism into the contemporary political landscape’ both in the USA and in Putin’s Russia.

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Fourty years ago this summer [2017], one of the most decisive events in 1970s UK anti-fascism took place in South East London.

On 13 August 1977, the far right National Front (NF) set off on a march from New Cross to Lewisham in what was intended to be a major show of strength. Lewisham NF organiser Richard Edmunds had promised the NF’s ‘biggest-ever rally… Everybody will know that the Front is marching’, while national organiser Martin Webster had talked of the march as part of its racist and anti-communist struggle: ‘The Reds have had it all their own way and the only way you can fight Communism is to confront it. We believe that the multi-racial society is wrong, is evil and we want to destroy it’. Earlier that year the NF had won over 119,000 votes in the Greater London Council elections and, although it did not succeed in winning any seats, the party had cause to believe that it was a growing force.
In the event, thousands of people mobilised to oppose the march, and as it started from New Cross there was hand to hand fighting as anti-fascists broke through police lines and seized NF banners. The local paper reported:

‘Suddenly the air was filled with orange smoke, and a hail of bricks, bottles and pieces of wood fell onto the Front from demonstrators and householders leaning out of their windows… At one point the Front marchers stopped. Half the marchers remained in Pagnell Street, afraid to walk into the hail of missiles… One young man, perhaps 16 years old, rushed into the Front ranks and grabbed a flagpole from one of them, broke it in half and held the pieces up while the crowd cheered. Others hurled dustbins and fence stakes into the Front column from close range’ (Kentish Mercury 18.8.77). In later clashes in Lewisham town centre, police used riot shields for the first time in England as they confronted anti-fascists and local young people. Get Alprazolam Online

Hsiao-Hung Pai: Angry White People
Coming Face-to-Face with the British Far Right
With a Foreword by Benjamin Zephaniah
Zed Books, London 2016
ISBN 978-1-783606-92-4

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Angry White People: Coming Face-to-Face with the British Far Right by Hsiao-Hung Pai (Zed Press, 2016) is not quite the overview of contemporary UK fascism that its subtitle suggests. The familiar far-right brands of the British National Party, National Front, and their various offshoots barely figure. Instead, the main focus is on the phenomenon of the English Defence League, which seemed to have exploded out of nowhere in 2009 and over the next few years mobilised anti-Muslim street protests across England. The group still exists today, though it has lost much of its early momentum and some of its founding activists along the way.
Pai’s avowed aim is to try to understand ‘what personal and social circumstances are leading these men and women’ to join a movement ‘based on prejudices and myths’, bringing to the subject the ‘outsider’ perspective of a 1990s migrant from Taiwan who is not distracted by social niceties from asking direct and awkward questions. This includes displays of chutzpah or just plain cheek such as knocking on the door of a house flying an England flag and asking its inhabitant to explain himself and walking into the pub reputed to be the EDL’s favoured drinking hole and requesting to speak to its leader, ‘Tommy Robinson’ – real name Stephen Lennon. As a result she does secure what seem to be some fairly unguarded and revealing conversations with a number of EDL supporters, including a couple with Robinson himself.

The EDL’s carefully curated image of being a non-racist organisation simply opposed to ‘Islamic extremism’ is belied by racist remarks about Muslims in general, informed by an incoherent and paranoid world view that fears some kind of impending Muslim domination of the UK. Robinson tells her: ‘Wherever Islam is, there is a military operation to implement sharia law. This country will be exactly the same. Five per cent of the population is Muslim. When it becomes 20 per cent, that’s when there will be a war’.

Robinson struggles to explain why he feels English and not British, or to reconcile his politics with his part-Irish background. In addition to complaining about Muslims, he complains about immigration more generally and even about Welsh workers getting building work in his home town, while at the same time acknowledging that ‘Everyone in this town is an immigrant’, his family included. Meanwhile, a rank-and-file activist complains about ‘pakis’ while obsessing about his desires for ‘oriental’ women. So far, so stupid, but if the far right could be defeated by exposing their irrationality and logical inconsistency, they would have been vanquished long ago. Best Site To Order Xanax Online

Nights out dancing, for all their intensity, leave few visible traces. Immersed in a multi sensory environment of noise, lights, encounters, movements, we emerge with only memories and half-memories. Of course there is a material culture of associated objects – items of clothing, flyers, vinyl – but much of it is ephemeral and on its own tells us little. Once everybody has gone home, the haunted dancehall refuses to give up its secrets.

So perhaps it is not surprising that we turn to the novel to get a sense of what it was like to be there, in different times and places. We turn to F. Scott Fitzgerald for the parties of the Jazz Age, to Colin MacInnes for 1950s London, or even to Jane Austen for the balls of regency England.

The electronic dance music scene that exploded through acid house and rave in the late 1980s and has mutated ever since now has its own library of fictional representations, much of it dating back to the period in the 1990s when the scene in the UK reached its somewhat overbloated commercial peak and publishers like everybody else were trying to get their share of the dance music pound.

The writers of such fictions may not always be reliable narrators – were they participants or voyeurs, or just chancers looking for edgy material on which to build a career? And the perspectives they offer are inevitably partial – as in many domains, male writers seem to be over-represented compared to female, and white voices more dominant than black. But these stories and novels undoubtedly tell us something even if in some cases it might only be how those in the literary world perceived what other people were getting up to at night. There is even an argument that the better writers have got closer to the reality of the experience than more conventional historical accounts. Sarah Champion, who edited the 1997 Disco Biscuits collection of short stories, asked: ‘how can you capture the madness of the last decade in facts and figures?… the true history is not about obscure white labels or DJ techniques or pop stars. It’s about personal stories of messiness, absurdity and excess – best captured in fiction’.

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In fact, much of the content is barely fictional at all with writers frequently referring to (then) actually existing clubs and parties – an obvious device for grounding a story in a specific context, as well as for the writer to indicate that they know what they are talking about.
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Buy Liquid Xanax OnlineThe euphoria of Occupy and the ‘Arab Spring’ seems a long way away. The mass movements on the streets and in the squares from 2010 to 2013 seemed to many to open up new forms of collective politics amidst a new global geography of public spaces – Tahrir Square (Cairo), Gezi Park (Istanbul), Zuccotti Park (New York), Puerta del Sol Square (Madrid), Syntagma square (Athens)…and many more. In his overview Why It’s Kicking Off Everywhere: The New Global Revolutions (2012), Paul Mason wrote that ‘There is a great river of human hope flowing’.
Manuel Castells – who I heard speaking at Occupy London to an audience seated on the steps of St Pauls Cathedral – also saw new hope in the emergence of non-hierarchical, non-programmatic ‘networked social movements’, facilitated and indeed transformed by new social media technologies, with ‘mass self-communication, based on horizontal networks of interactive, multidirectional communication on the internet and, even more so, in wireless communication networks’. Indeed, Castells argued, ‘the internet provides the organisational communication platform to transform the culture of freedom into the practice of autonomy’ (‘Network of Outrage and hope: social movements in the internet age’, 2012).

But right now, towards the end of 2014, it is increasingly difficult to sustain this optimism. Xanax Bars 2Mg Buy