REVIEW: Jeff Mills at Cable, London, 26.08.2012 ‘In the creation of this concept all sectors were represented by rhythmatic formations’
Read MoreAUTONOMOUS PRINT CREATIONS- SOME REVIEWS Published in 1995 in Alien Underground 0.1 (1995!! – so please note that almost all
Read MoreLobster 57 (The last hard copy of Lobster)(Hull, Summer 2009, ISSN 0964-0436) Lobster is a magazine for “parapolitics” that has
Read MoreThe feature length film “Saila” by Julia Ostertag situates in the industrial ruins of East Berlin a visceral enactment of
Read More‘If you ask for my life, I will stab you in the heart’ 1. Four black and white camera angles
Read More
Peter Whitehead, a filmmaker and enigmatic figure, captured key moments of the 1960s counterculture with his documentaries “Wholly Communion” and “Benefit of the Doubt.” Despite lacking formal filmmaking skills, Whitehead documented major cultural events like Allen Ginsberg’s poetry readings and Pink Floyd performances. His spontaneous, raw filming style, immortalized these moments in British countercultural history, especially *Wholly Communion*. Review of the BFI’s DVD release by Stewart Home in Datacide 10 (2008).
Read More
A 20 minute long studio dabble from New Order recorded as a test for Blue Monday but shifted to the role of Hacienda video soundtrack finds here its first vinyl release. An intriguing track that marked the onset of a recombinant disco music shot through with a waning punk ethos.
Read More
In London in the first half of 1997, Weimar Germany came back to London with a discreet vengeance. Dr.Hans Prinzhorn’s ‘Art of the Insane’ (collected 1919-1922) at the Hayward Gallery, George Grosz at the Royal Academy, Marlene Dietrich – the West End musical, and August Sander’s ‘exact’ photography at the National Portrait Gallery.
Read MoreCheck out Neil’s review of the conference and party HERE
Read More