Telly Makes Us The gridded tower on Winter Hill caps a corncob of narrative command. The seemingly benign
Read MoreUntitled The trauma recedesinto an equipping learnedness.Not to yield to.Not to wield.Its partner will comein a devastating minim. 8/3/2010
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Praxis + Break/Flow – Communist 7″ Product Blueprint was a (fictional) project bringing together Marx quotes, vinyl and critique; Cornelius Cardew and Royal Family & The Poor.
Read More“A gigantic cultural revolution is underway. Free expression and the joy of bodies, the autonomy, hybridisation and the reconstruction of
Read MoreStanley Kubrick: Eyes Wide Shut [Warner Brothers] “That’s what you say now, so at this moment you may even believe
Read MoreNo one recognises these powers as their own (Why Theory?) We have to dispense with the idea that theorising occurs
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Re-incarnated in print form and collecting essays and texts by Howard Slater from 97-99, ( only a couple of which had been previously published in Autotoxicity), this edition is almost a book. Despite the disparate subject matter a kind of narrative unfolds tracing the “foretaste of freedom in those unexpunged communications that music and literature make tangible”
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Before Pakula made his well known All the Presidents Men, a film which centres directly on the Watergate debacle, he made The Parallax View, a film which expands the ‘private’ scenario of Klute into a wider social setting and which makes links between government, corporations and the assassinations of the 60s at the same time that it self-reflexively draws further attention to the power-wielding manipulations inherent in mainstream cinema.
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‘Darkness can be panoramic and searing enough to provide sufficient space for emotions other than those that are socially-sanctioned and saccharine. Satisfaction is not exhilarating… the attainable is uninteresting: at the end of Taxi Driver what are we to make of Travis Bickle’s glance into the rear-view mirror?’
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