Timeline

2008Datacide 10Film Reviews

Peter Whitehead and the Sixties

Peter Whitehead, a filmmaker and enigmatic figure, captured key moments of the 1960s counterculture with his documentaries “Wholly Communion” and “Benefit of the Doubt.” Despite lacking formal filmmaking skills, Whitehead documented major cultural events like Allen Ginsberg’s poetry readings and Pink Floyd performances. His spontaneous, raw filming style, immortalized these moments in British countercultural history, especially *Wholly Communion*. Review of the BFI’s DVD release by Stewart Home in Datacide 10 (2008).

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2008ArticlesDatacide 10Datacide Issues

You’re too Young to Remember the Eighties – Dancing in a Different Time

In the early 1980s, nightlife was limited, with clubs closing by 2 am. Amid overpriced discos, a subculture emerged, embracing electronic music and underground clubs. Influenced by bands like Soft Cell, the writer explored the growing club scene in London, including venues like the Batcave, the Hacienda, and illegal warehouse parties. This scene laid the foundation for Acid House’s rise in the late ’80s.

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1998ArticlesDatacide 4

Plague in this Town – The Unfinished History of the Italian Autonomia

This article explores the historical struggles against capitalist control in Italy, focusing on the Autonomia movement’s tactics like self-reduction, political shopping, and illegal occupations. It highlights the state’s repression and manipulation of these social movements and the lingering questions about effective resistance.

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1998ArticlesDatacide 4Film Reviews

The Western

The text offers a vivid commentary on the transformation of landscapes and their symbolic connections to human aspirations and social struggles. It juxtaposes orderly agricultural fields, symbolizing efficiency and ownership, with untamed forests and lawless frontier towns, representing unpredictability and societal conflicts. Through the lens of Anthony Mann’s westerns, it explores themes of law, identity, community, and the struggle for power, questioning the balance between imposed order and innate chaos.

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1999Datacide 6Press Reviews

Break/Flow 2 (Review of Second Print Edition)

Re-incarnated in print form and collecting essays and texts by Howard Slater from 97-99, ( only a couple of which had been previously published in Autotoxicity), this edition is almost a book. Despite the disparate subject matter a kind of narrative unfolds tracing the “foretaste of freedom in those unexpunged communications that music and literature make tangible”

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