Timeline

2008Book ReviewsDatacide 10

François Genoud – The Life of a Swiss Banker and Fascist Anti-Imperialist

François Genoud was born in 1915 in Lausanne, in the french-speaking part of Switzerland. In his teens he became an admirer of Adolf Hitler, met the future “Führer” in person in 1932, and remained a staunch National-Socialist until his death in 1996. His career included publishing the Goebbels diaries, acting as a banker for the Algerian FLN, funding the legal defence Barbie and Carlos, supporting the PFLP and much more.

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2008Datacide 10Film Reviews

Peter Whitehead and the Sixties

Peter Whitehead, a filmmaker and enigmatic figure, captured key moments of the 1960s counterculture with his documentaries “Wholly Communion” and “Benefit of the Doubt.” Despite lacking formal filmmaking skills, Whitehead documented major cultural events like Allen Ginsberg’s poetry readings and Pink Floyd performances. His spontaneous, raw filming style, immortalized these moments in British countercultural history, especially *Wholly Communion*. Review of the BFI’s DVD release by Stewart Home in Datacide 10 (2008).

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2008ArticlesDatacide 10Datacide Issues

You’re too Young to Remember the Eighties – Dancing in a Different Time

In the early 1980s, nightlife was limited, with clubs closing by 2 am. Amid overpriced discos, a subculture emerged, embracing electronic music and underground clubs. Influenced by bands like Soft Cell, the writer explored the growing club scene in London, including venues like the Batcave, the Hacienda, and illegal warehouse parties. This scene laid the foundation for Acid House’s rise in the late ’80s.

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1998ArticlesDatacide 4

Plague in this Town – The Unfinished History of the Italian Autonomia

This article explores the historical struggles against capitalist control in Italy, focusing on the Autonomia movement’s tactics like self-reduction, political shopping, and illegal occupations. It highlights the state’s repression and manipulation of these social movements and the lingering questions about effective resistance.

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1998ArticlesDatacide 4Film Reviews

The Western

The text offers a vivid commentary on the transformation of landscapes and their symbolic connections to human aspirations and social struggles. It juxtaposes orderly agricultural fields, symbolizing efficiency and ownership, with untamed forests and lawless frontier towns, representing unpredictability and societal conflicts. Through the lens of Anthony Mann’s westerns, it explores themes of law, identity, community, and the struggle for power, questioning the balance between imposed order and innate chaos.

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