Mixed Up in The Hague: Sewersounds of the 90s
An introduction to the scene of The Hague in the mid-90s by Flint Michigan with a short interview he conducted with Interr-Ference from Acid Planet for Break/Flow in 1996.
Read MoreAn introduction to the scene of The Hague in the mid-90s by Flint Michigan with a short interview he conducted with Interr-Ference from Acid Planet for Break/Flow in 1996.
Read MoreA critical view on what a review could and should be… by Flint Michigan from Break/Flow 1.
Read MoreAn early review article from Break/Flow 1 (1996) about the underground record label and distribution operation Network 23, set up by members of Spiral Tribe in 1994.
Read MoreTitled Messages to the Majors these are the record reviews from Break/Flow 1, mostly written by Flint Michigan and a couple by Christoph Fringeli – and one by Michel Foucault!
Read MoreJoe Meek, a pioneering independent music producer, created the hit “Telstar” in 1962 using innovative techniques like overdubbing and echo in his home studio. Known for his experimental approach, he produced the avant-garde concept album *I Hear a New World*. Meek’s career ended tragically in 1967 when, plagued by paranoia and legal issues, he killed his landlady before taking his own life.
Read MorePrint reviews from the first edition of Break/Flow from 1996, featuring Degenerative Prose, Erik Belgum, Asger Jorn, the state of British anarchism, TEchnoscience and Cyberculture, Félix Guattari and a techno zine round up.
Read MoreThis text on Pasolini’s Salò first appeared something like 25 years ago in Datacide No.6. It was part of a sequence of texts on cinema which began with a piece on Alan Pakula’s Parallax View and ended in a text on Kubrick’s Eyes Wide Shut.
Here Howard Slater returns to and revives his psycho-social analysis of Pier Paolo Pasolini’s last film Salò, or the 120 Days of Sodom.
Following on from a talk/listening session given at the launch for Datacide 18 at Ridley Road Social Club in February 2020, Howard Slater expanded on the theme of the Electronic Disturbance Zone in the following work in progress.
General Outline: 0. Preamble (Sonic Theory, Pierre Schaeffer, EDZ at Dead by Dawn, techno and ambient) 1. Environment Recordings (Luc Ferrari, Murray Schafer) 2. Entity music (Walter Marchetti) 3. Drone (Eliane Radigue, Roland Kayn) 4. Aural collage (John Cage, Luc Ferrari, Industrial) 5. Studio Based Electronics (Stockhausen, Bernard Parmegiani ) 6. Live Electronic Improvisation (David Tudor, Morphogenesis etc) 7. Hybrids/ Heterogeneity (decategorisation)
Part 2 of this text will appear in the next issue of Datacide and will cover Drone through to Studio Based Electronics.
Read MoreIn our series of documents on revolutionary history – for the first time in English: A critique of anti-Imperialism from Berlin 1967 based on the Situationist International’s ‘Address to Revolutionaries of Algeria and of All Countries’ which first appeared in Internationale Situationniste #10 in March 1966. With an introduction by Christoph Fringeli.
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