N30 (London)
I arrived at Euston Station soon after 5, there was already a large crowd standing round talking and handing out
Read MoreI arrived at Euston Station soon after 5, there was already a large crowd standing round talking and handing out
Read MoreThe police and the media did everything they could to make us believe that last year’s Brixton, Brick Lane and
Read MoreCritical Art Ensemble Autonomedia, 1998 Critical Art Ensemble’s first two volumes, The Electronic Disturbance and Electronic Civil Disobedience, established that
Read Morecruising the metro on premium petrolAt a school, pretty much all of the kids came in one day having watched
Read MoreNail Bombs and Bio-Politics Military intelligence isn’t what it used to be but so what, Human intelligence isn’t what it
Read MoreLargely unnoticed by the public the Labour government has been sneaking in “anti-terrorist” legislation in the wake of the Omagh
Read MoreReview of the conspiracy fest “Virtual Government” by Alex Constantine, published in 1997 by Feral House. Though not uncritical, the book gets treated a bit too lenient… from 1998.
Read MoreThe record industry is in the process of being outflanked by means of the very processes that it has come to rely upon. Since the 60s its continual efforts to create new needs has meant that it nurtured an everchanging musical soundscape that is now mutating at such a pace that it cannot keep track long enough to harness these musical evolutions in the direction of profit.
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