Christoph de Babalon Archives

1996 Articles Break/Flow 1 Record Reviews

BreakFlow September 18, 2024September 18, 2024 0 Comments Christoph de Babalon, Electro, Record Review, Somatic Responses, Underground Resistance

Messages to the Majors – Break/Flow 1 – Record Reviews (1996)

Titled Messages to the Majors these are the record reviews from Break/Flow 1, mostly written by Flint Michigan and a couple by Christoph Fringeli – and one by Michel Foucault!

2017 Datacide 17 Record Reviews

nemeton February 26, 2018July 24, 2024 0 Comments Christoph de Babalon, Dasha Rush, Electro, Industrial, Katabatik, Killawatt, nemeton, Rave or Die, Record Review, Scalameriya, Somatic Responses, Techno

Datacide 17 Record Reviews by Nemeton

Record reviews by Nemeton from Datacide 17 (2017) feat. Christoph de Babalon, Stave, Schwefelgelb, Dash Rush, Scalameriya, Somatic Responses, Killawatt, and a Katabatik 2017 roundup.

2016 Articles Datacide 15 Record Reviews

Christoph Fringeli September 19, 2016January 23, 2025 0 Comments Adjust, Cathartic Noize Experience, Christoph de Babalon, Daniel Buess, Dead Fader, FFF, Hellfish, JOLT Festival, Low Res, Lustmord, Messias, Record Review, Ruby My Dear, Walter Ulbricht Schallfolien

Datacide 15 Record Reviews by Christoph Fringeli

Datacide 15 Record Reviews by Christoph Fringeli featuring reviews of records by Lustmord, FFF/Champa B, Hellfish, Liza N’Eliaz and Laurent Hô , Adjust on Low Res, Fragment and Messias on Cathartic Noize Experience, Ruby My Dear, Goner, Christoph de Babalon and others.

1997 Datacide 2 Record Reviews

Flint Michigan January 22, 2009July 3, 2024 1 Comment break/flow, Christoph de Babalon, Doppelgänger, Drum'n'Bass, Panacea, Record Review, Source Direct, Techstep, Twisted Anger

Dark… Darker… Dirty: Taxi Tracks

‘Darkness can be panoramic and searing enough to provide sufficient space for emotions other than those that are socially-sanctioned and saccharine. Satisfaction is not exhilarating… the attainable is uninteresting: at the end of Taxi Driver what are we to make of Travis Bickle’s glance into the rear-view mirror?’