In London in the first half of 1997, Weimar Germany came back to London with a discreet vengeance. Dr.Hans Prinzhorn’s ‘Art of the Insane’ (collected 1919-1922) at the Hayward Gallery, George Grosz at the Royal Academy, Marlene Dietrich – the West End musical, and August Sander’s ‘exact’ photography at the National Portrait Gallery.
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Extensive record review section from Datacide 3 provides further evidence on just how many great records came out in that period. Much hardcore, breakcore, drum’n’bass and experimental stuff reviewed by the border fox, Dan Hekate, Christoph Fringeli, Flint Michigan, Nomex, Scud and more!
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Are seemingly accidental deaths in police custody random killings meant to spread terror in the population?
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Perpetual Commotion is a text on and with Critical Art Ensemble and the concept of Electronic Civil Disobedience by Matt Fuller from Datacide 3, autumn 1997.
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The grim and gripping story of the first electric chair and much more. Power and progress embodied by the technological death machine, proving the emerging superpower to be one step ahead and more advanced than the rest of the world.
Read MoreArt Kill Art label out of France asks the question “What does it mean to produce vinyl records in the
Read MoreAustralian label run by members of .Of God put out a slamming record of hard drum n’ bass with dominant
Read MoreExcellent record mixing 4/4 breakcore with hardcore, punk, metal and other elements. GVK (Martel en tete label) creates a hard-hitting
Read MoreThis new label out of the U.S. is a collaborative effort between Slowleak records San Francisco and the from the
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