The feature length film “Saila” by Julia Ostertag situates in the industrial ruins of East Berlin a visceral enactment of
Read Moreall record reviews published in the latest issue from autumn 2008
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A review article about the book Battlenoise! and the ideology of Martial Industrial music from Datacide 10 (2008).
Read MoreCorollary to “In Skatebored We Noize” by dj Balli (+ Bel.04) For decades now Situationism has been subsumed by the
Read MoreThe writings of Ulrike Meinhof edited by Karin Bauer, afterward by Bettina Röhl. New York: Seven Stories Press, 2008. $19.95/£9.99
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François Genoud – The Life of a Swiss Banker and Fascist Anti-Imperialist is an extended review of the book A
Read More‘If you ask for my life, I will stab you in the heart’ 1. Four black and white camera angles
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Peter Whitehead, a filmmaker and enigmatic figure, captured key moments of the 1960s counterculture with his documentaries “Wholly Communion” and “Benefit of the Doubt.” Despite lacking formal filmmaking skills, Whitehead documented major cultural events like Allen Ginsberg’s poetry readings and Pink Floyd performances. His spontaneous, raw filming style, immortalized these moments in British countercultural history, especially *Wholly Communion*. Review of the BFI’s DVD release by Stewart Home in Datacide 10 (2008).
Read Moreor an “obviously private, elementary photographic experience” Found object in a trash receptacle: tattered and smudged finished dissertation Appropriationist: Boris
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