listener as operator
‘I do not write experimental music…my experimenting is done before I make my music. Afterwards it is the listener who
Read More‘I do not write experimental music…my experimenting is done before I make my music. Afterwards it is the listener who
Read Morethe use of speed Around 1988 the intensifier started going to illegal parties and raves. Mostly happening in the lost
Read MoreNo Stars Here (Track -1) Celebrity creation is dependent on a number of elements: it is part of a practice
Read Morenobody knows where you’re at… We could begin anywhere. A history of techno would be too obvious and would imply
Read MoreTrack *: Resisting the Present For no apparent reason circulting mists of noise and body music rise up. This is
Read More„Sound invades us, impels us, drags us, transpierces us… it takes leave of the earth…It makes us want to die.
Read MoreAnonymous Series Vol.2- Praxis 45 The second of three volumes of anonymous broken noise that forces the listener/user to experience
Read MoreThis article is written with its practical use value in mind. It is about Psychiatry, and that means about psychiatric
Read MoreOn Godard’s Masculin/Féminin (Now? The SI?) For many still overawed by the pronouncements of the Situationist International the names of
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