Christopher Partridge – Dub In Babylon (Equinox) reviewed by John Eden The subtitle is “Understanding the evolution and significance of
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For Kroker, the hype around the info highway etc is the way which bodies are drawn into cyber-space through the seduction of empowerment. The virtual class are those that would formerly be called technocrats and are they that have a vested interest in virtualising more and more aspects of existence’ A critique by Flint Michigan.
Read MoreBook review: Microphone Fiends: youth music and youth culture, ed. Andrew Ross and Tricia Rose (Routledge, 1994) Published in Alien
Read MoreReview of: Raoul Vaneigem: Movement of the Free Spirit (Zone Books 1994) Published in Alien Underground 0.1, 1995
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In “The Electronic Disturbance,” Critical Art Ensemble explores resistance in the technological age, emphasizing the concept of “liquescence” and the elusive nature of modern power. They advocate for electronic resistance against privatized public spaces, or “bunkers,” and propose small, non-hierarchical groups using technology to create impactful, coordinated acts of civil disobedience. Book review by Flint Michigan.
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A review article about the book Battlenoise! and the ideology of Martial Industrial music from Datacide 10 (2008).
Read MoreThe writings of Ulrike Meinhof edited by Karin Bauer, afterward by Bettina Röhl. New York: Seven Stories Press, 2008. $19.95/£9.99
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François Genoud – The Life of a Swiss Banker and Fascist Anti-Imperialist is an extended review of the book A
Read Moreor an “obviously private, elementary photographic experience” Found object in a trash receptacle: tattered and smudged finished dissertation Appropriationist: Boris
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