August Sander Archives

Matthew Hyland January 22, 2009July 19, 2024 0 Comments August Sander, National Portrait Gallery, Review

THE INANIMATE FARMHAND

In London in the first half of 1997, Weimar Germany came back to London with a discreet vengeance. Dr.Hans Prinzhorn’s ‘Art of the Insane’ (collected 1919-1922) at the Hayward Gallery, George Grosz at the Royal Academy, Marlene Dietrich – the West End musical, and August Sander’s ‘exact’ photography at the National Portrait Gallery.

Datacide is a magazine that covers experimental electronic music, from the avantgarde to hard dance music, its intersections with radical politics and counterculture, in-depth political and historical analysis and critique as well as experimental fiction, poetry and visual works. In each issue there is an extensive record review section as well as detailed book reviews, comics and news items.Datacide is not affiliated with or part of any specific political group but engages in a revolutionary critique that rejects the historically discredited strains of leftism associated with Social Democracy and Leninism, drawing instead on the rich heritage of dissident Marxism, libertarian communism and critical theory.Datacide is a critical voice in the increasingly irrational and rightward lurching 'posttruth' times of conspiratorial world views and identity politics.