Battlenoise! – On the Ideology of “Martial Industrial” Music

Martial Industrial is a small sub-section in and development from industrial music. It is a particular form of industrial focused on a mythisized “heroic” past. As a scene it is related to the Neo-folk and neo-classical as well as the power-industrial scene, by itself it is relatively tiny.
In the summer of 2007 a book titled “Battlenoise! – The Blows of Martial Industrial” was published by the Polish label War Office Propaganda in conjunction with the Hungarian MozgaloM. It was a translation from the Hungarian, the author preferred to be referred to only as “PHJ”.
The book caused a bit of an uproar in the concerned circles and after Albin Julius of Der Blutharsch threatened to sue for copyright violation, the book was supposedly withdrawn from circulation.
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François Genoud – The life of a Swiss banker and fascist anti-Imperialist

genoud

François Genoud was born in 1915 in Lausanne, in the french-speaking part of Switzerland. In his teens he became an admirer of Adolf Hitler, met the future “Führer” in person in 1932, and remained a staunch National-Socialist until his death in 1996.
In 1936 this was amended with another life long committment: to Arab nationalism, when he and a friend traveled to the middle east and met many leaders of the Palestinian national movement then exiled in Iraq, and in Jerusalem most importantly the Mufti, Haj Amin al-Husseini, himself not only the historic leader of Palestinian nationalism, but also a close ally of Nazi-Germany.
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WE MEAN IT MAN: Punk Rock and Anti-Racism – or, Death In June not Mysterious

PUNK ROCK AND ANTI-RACISM – or,
DEATH IN JUNE NOT MYSTERIOUS

death-in-june

The hoary debate about punk rock and politics was recently given a boost by the publication of Punk Rock: So What? edited by Roger Sabin. (1) The editor’s essay ‘I Won’t Let That Dago By: Rethinking Punk and Racism’ is one of several pieces that raises the issue of punk politics directly. Claiming that there is a consensus about British punk rock of the seventies being ‘essentially solid with the anti-racist cause’, Sabin sees a punk alliance with the organisations Rock Against Racism (RAR) and the Anti-Nazi League (ANL) as providing the capstone of this myth. Sabin deflates what he sees as the fable of punk anti-racism by trotting out a few examples of unsavoury lyrics and media sound bites.
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“LONG LIVE DEATH”

On Pasolini’s Salo

The attempt to deny differences is a part of the more general enterprise of denying life, depreciating existence and promising it a death where the universe sinks into the undifferentiated
salo1
Being one of the most celebrated films that has yet to be issued with a certification by the British Board of Film Classification, Pasolini’s Salo is perhaps the most controversial of all banned films in a list that includes Clockwork Orange and Straw Dogs. In many ways it is easy to see why Pasolini’s film has created such a furore. Critically acclaimed yet hardly ever seen, Salo, from its banning in Italy to its seizure by the Met’s Vice Squad in August 1978, is possibly the most provocative and disturbing political film ever made. [Read more →]

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