A Critique of Armed Struggle
(Talk at Bogotrax festival in Berlin, Sept.10, 2009)
In this short critical talk I will briefly outline a view of particular strains of the communist movement of the 20th century and in particular the guerilla movements purporting to be communist and their historical role.
Central to my argument is the transformation of Marxism as a critical method and communism as a movement into an ideology of so called Marxism-Leninism.
Therefore this is not a critique of revolutionary violence as such, but of its particular manifestation in the form of traditional Marxist-Leninist guerilla movements, both of the rural and urban types. [Read more →]
The yearly Fuckparade was taking place again in Berlin on August 22. The gathering point was Revaler Strasse, where the 17 trucks were warming up for the parade. A part of this warm up were also the obligatory speeches. For this, the Fuckparade organisers invited Hans Cousto and Dr. Motte, whose talks can be seen here. They deserve some attention, especially what Motte had to say. [Read more →]
On the ideology of “Martial Industrial” music.
Martial Industrial is a small sub-section in and development from industrial music. It is a particular form of industrial focused on a mythisized “heroic” past. As a scene it is related to the Neo-folk and neo-classical as well as the power-industrial scene, by itself it is relatively tiny.
In the summer of 2007 a book titled “Battlenoise! – The Blows of Martial Industrial” was published by the Polish label War Office Propaganda in conjunction with the Hungarian MozgaloM. It was a translation from the Hungarian, the author prefered to be referred to only as “PHJ”.
The book caused a bit of an uproar in the concerned circles and after Albin Julius of Der Blutharsch threatened to sue for copyright violation, the book was supposedly withdrawn from circulation.
[Read more →]
François Genoud was born in 1915 in Lausanne, in the french-speaking part of Switzerland. In his teens he became an admirer of Adolf Hitler, met the future “Führer” in person in 1932, and remained a staunch National-Socialist until his death in 1996.
In 1936 this was amended with another life long committment: to Arab nationalism, when he and a friend traveled to the middle east and met many leaders of the Palestinian national movement then exiled in Iraq, and in Jerusalem most importantly the Mufti, Haj Amin al-Husseini, himself not only the historic leader of Palestinian nationalism, but also a close ally of Nazi-Germany.
[Read more →]
On Pasolini’s Salo
The attempt to deny differences is a part of the more general enterprise of denying life, depreciating existence and promising it a death where the universe sinks into the undifferentiated
Being one of the most celebrated films that has yet to be issued with a certification by the British Board of Film Classification, Pasolini’s Salo is perhaps the most controversial of all banned films in a list that includes Clockwork Orange and Straw Dogs. In many ways it is easy to see why Pasolini’s film has created such a furore. Critically acclaimed yet hardly ever seen, Salo, from its banning in Italy to its seizure by the Met’s Vice Squad in August 1978, is possibly the most provocative and disturbing political film ever made. [Read more →]