Datacide 14 Record Reviews by Nemeton

Ontal: Combat Engineering (Overdraw 01)
The newest release from the Serbian duo of Boris Noiz and Darko Dekode is completely storming and definitely matches our hopes since following Ontal’s music and mixes with great interest for some time. It is great to hear this on vinyl. A1 Combat Engineering is a searing, ruthless, grinding track with hard-hitting beats and industrial noise; A2 is a remix by Tomohiko Sagae, whose mixes are superb. B1 Lithosphere is a gritty, pounding abstract tune, and B2 ends it hard with Taphonomy. Definitely recommended!

Eschaton: (Token 38)
This is the first release that brings together Ancient Methods and Orphx. The tracks have been kicking around online in mixes and such for quite some time, so it was great to see the vinyl release finally come out in January 2014. Eschaton played live for the first time at Berghain in mid September 2014. We are huge fans of Ancient Method’s grinding, industrial techno, and we were greatly impacted by Orphx’s early releases on Hands like Vita Mediativa and Fragmentation on Malignant, but are less interested by Orphx’s more straight style of techno production of the last years. A1 Age of Iron is a solid techno track with a nice groove and full-blown bass; A2 Degenerate is a more subdued sound, with a slower and slightly off kilter tempo. B2 Seven Signs is the most abstract with expansive reverb, interesting clips, clinks, and other metallic sounds, which lead up to the dance oriented crescendo. This release has a lot of [Read more →]

Praxis presents Datacide @ Subversiv e.V. Berlin 14-06-2014

SUB2014_web2

 

ISTARI LASTERFAHRER
https://soundcloud.com/istari-lasterfahrer

DESPER
https://soundcloud.com/desper_of_slepcy

H-KON
https://soundcloud.com/h-kon

CHRISTOPH FRINGELI
https://soundcloud.com/praxisrecords

ZOMBIEFLESHEATER
https://soundcloud.com/zombieflesheater

SANSCULOTTE_video
https://vimeo.com/sansculotte

http://praxis.c8.com/
http://datacide-magazine.com/

NO RACISM, NO SEXISM, NO NATIONALISM

————————–

in the space of Subversiv e.V. Brunnenstrasse 7, Berlin-Mitte, near Rosenthaler Platz.

 

starts 11pm!


11.05.2013 Praxis presents Datacide @ Subversiv Berlin

in den räumen des subversiv e.v., brunnenstrasse 7, berlin-mitte, u8  rosenthaler platz
start: 23:00

DAN HEKATE [HEKATE SOUNDSYSTEM]
http://soundcloud.com/dan-hekate-1

INUSHINI [OHM 52]
http://soundcloud.com/inushini

HETZER [CLASH OF THE TITANS]
http://www.myspace.com/hetzer

BASE FORCE ONE [PRAXIS]
http://soundcloud.com/praxisrecords

H-KON [CLASH OF THE TITANS]
http://soundcloud.com/h-kon

ZOMBIEFLESHEATER [KRITIK AM LEBEN]
http://soundcloud.com/zombieflesheater

SANSCULOTTE VJ [HIRNTRUST]
https://vimeo.com/sansculotte

Fundraiser for the next issue of datacide magazine.

http://datacide-magazine.com/
http://praxis.c8.com/

BREAKCORE EXPERIMENTAL HARDCORE

NO RACISM, NO SEXISM, NO NATIONALISM, NO STARS

Datacide 12 record reviews by Nemeton

Ritalin War Dance / Neurosis Orchestra – SPB12020
The a-side is two tracks by Ritalin War Dance (Robert Schirmer and Martin Maischein aka Goner aka Heinrich at Hart). A2 Eye Flys resonates with a mixture of dub and experimental noises and distortion that creates an impressive dark feeling. The b-side by Neurosis Orchestra opens with Lucid Dreams that is dominated by dark guitar riffs and dub influenced doom ambiences. B2 Trap is the beat oriented track (140 bpm) with an enticing groove, distorted synth lines interlaced with some heavy bass. All the tracks, including a1 Hypertonic Solutions, are a physical journey of beats and moody ambiences that demonstrate thoughtful and well developed structures. Recommended! [Read more →]

Datacide 12 record reviews by Kovert

Anonymous Series Vol.2- Praxis 45
The second of three volumes of anonymous broken noise that forces the listener/user to experience sound without any judgments about names/egos. Tracks range from the melancholic detuned synthetic strings, bass-quakes and cut-up broken tek beats of A1, to the snarling distorted mid, industrial dubstep riddim, cone-rattling subs and twisted, mangled double speed breaks of A2, to the spacious atmospheres and more
tek orientated broken beats of B1, to the strange b-movie atmospheres and lofi breaks of B2. Essential tools and limited to 300 copies. [Read more →]

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