Book review by Christoph Fringeli
Helge Lehmann: Die Todesnacht in Stammheim – Eine Untersuchung. Indizienprozess gegen die staatsoffizielle Darstellung und das Todesermittlungsverfahren. 2nd printing 2012, Pahl-Rugenstein, Cologne.
On October 18, 1977 at 8:53 am, the German news agency dpa sent out a news bulletin announcing “Baader and Ensslin have committed suicide.”
What had happened? [Read more →]
Book review by Christoph Fringeli
Anton Shekovtsov, Paul Jackson (Eds): White Power Music – Scenes of Extreme Right Cultural Resistance.Mapping the Far-Right, Volume 2, Searchlight Magazine/Radicalism and New Media Research Group, August 2012.
This volume shines a spotlight on various far right musical scenes all over Europe. The first part of the book is made up of country-specific looks at the scenes in Germany, France, Sweden, Greece, Hungary and Romania, and the Czech Republic. The second part consists of three articles: one about the memory of Ian Stuart Donaldson, one about women in White Power music, and one about „White Power music and censorship in the Information Age“.
The articles differ a great deal in how they approach the issues. The article about the German „Rechtsrock“ scene limits itself largely to that particular brand of white power rock, and is basing itself to a considerable degree on the reports of the Federal Office for the Protection of the Constitution (Bundesamt für Verfassungsschutz, BfV). These should be taken with a grain of salt as we have seen in the context of the murders of the National Socialist Underground. The author is staying close to the music associated with traditional neo-Nazism (NPD and DVU parties) and doesn’t investigate the more transversal forms of far-right subcultures. Nevertheless it can serve as an introduction to a particular field of German far-right music to a reader unfamiliar with the topic.
The second article is concerned with France, starting off with the phenomenon of „rock identitaire“, and the involvment of protagonist Fabrice Robert in various national-revolutionary and national-Bolshevik sects until his recent activities as a leader of Bloc Identitaire. The article traces the nationalist rock back to the 70’s and the influence of the Italian Janus group up to the present via skinhead hate rock and NSBM, expanding the spectrum into far right techno since the 90’s. [Read more →]
Christopher Partridge –
Dub In Babylon (Equinox)
reviewed by John Eden
The subtitle is “Understanding the evolution and significance of dub reggae in Jamaica and Britain from King Tubby to Post-Punk”. Which is right up my street. This is an academic book, but it manages to avoid the worst excesses of post-modern jargon and so should be readable to most. The first couple of chapters deal briefly with the history of Rastafari and dub and are OK, not exactly exciting if you have ever read a book on the subject before. Partridge writes well and quotes from a gratifyingly diverse set of sources which suggests he’s put the work in.
The pace then picks up as we move onto an examination of “Sound-system Culture and Jamaican Dub in the UK”. [Read more →]
Arthur Kroker & Michael Weinstein [New World Perspectives – Montreal 1994]
(Review published in Alien Underground 0.1, 1995)
“Take your choice: The VR Helmet or the disciplinary state” [Read more →]
Book review: Microphone Fiends: youth music and youth culture, ed. Andrew Ross and Tricia Rose (Routledge, 1994)
Published in Alien Underground 0.1, 1995 [Read more →]