News

.Of God/Mystification – Hell’s Bassment 04

January 13th, 2009

Australian label run by members of .Of God put out a slamming record of hard drum n’ bass with dominant dark overtones. .Of God is remixed by Bad Matter on Side A – a solid track that delivers what you expect. Wickedness really comes through in “Daemons Stay in Hell” by Mystification, a tortured mix of pounding beats and black metal guitar lines by Szabolcs Szakacs (also featured on another Mystification track on Hardline Twenty) that obliterates the conventional structure of hard dnb tracks and creates devious rhythms for the dance floor. Check!

GVK: Power to the People – Power vs Power 4

January 13th, 2009

Excellent record mixing 4/4 breakcore with hardcore, punk, metal and other elements. GVK (Martel en tete label) creates a hard-hitting 4 tracker with diy attitude that no doubt has been heard to great effect on soundsystems traveling across Europe.

Selector Catalogue/Heartworm Split 7” – Massive Support 1

January 13th, 2009

This new label out of the U.S. is a collaborative effort between Slowleak records San Francisco and the from the gut crew Detroit. Each 7” will feature artists from the Bay Area and Michigan respectively. ‘My Microwave’ by Selector Catalogue from Ann Arbor, MI opens the 7” series off right with a pounding breakcore track. Heartworm of 5lowershop Soundsystem, SF contributes ‘camate (audio cannibal mix)’ – a track without limits veering from noise intro to hyper-edited beats to hip-hop inspired interludes to violin samples and back again in a frenetic style. Massive Support 2 will feature Split Horizon and DJ Crackhouse.

ALL WAS MUSIC. On Walter Marchetti.

January 3rd, 2009

Walter Marchetti on the cover of the CD "De musicorum infelicitate" (Alga Marghen, 2000)

Walter Marchetti on the cover of the CD “De musicorum infelicitate” (Alga Marghen, 2000)

“…naturally music had surrounded me ever since infancy as an unquestionable and indisputable element of life, but nothing had impelled me to distinguish it from the rest of my experience”

(Franz Kafka: Investigations Of A Dog)

1. Shadowing Conceptual Art and Fluxus, Walter Marchetti is perhaps one of those many involutionary figures who have stealthily stepped only at the edges of an institutional recognition. Having been at Darmstadt in the mid 50s and with John Cage during his 1959 sojourn in Italy, Marchetti embarked upon an exploration of music that began with composing for small acoustic ensembles in a way that, using space as a rhythm, allowed for a clash of timbres and an acoustic diffusion of sound to become prominent. The concert at the Rotunda del Pelligrini, where his music was played alongside that of Juan Hidalgo, John Cage, Morton Feldman and Leopoldo La Rosa, marks a brief moment of conjunction between [Read more →]

Submission Soundtracking

January 3rd, 2009

Electronica as a scene has coagulated primarily as a media concern – in that the media itself needed to bolster it’s role as both a guidebook for ‘innovation’ and a touchstone for transmitting the codes of each particular scene. However, electronica’s distinction is that it sometimes exists as a catch-all for everything else that isn’t drawn into one of the other dedicated genre scenes within the electronic and dance music milieu, fluctuating in that what departs from electronica is often transmogrified into its own micro-scene (cf post rock, Berlin minimalism,…) whilst the core of electronica itself can never be pinned to any particular rules of thumb regarding sounds, instrumentation, structure, etc. However, the compressing and packaging of electronica as a scene easily rivals its constructed polar opposites for it’s sheer predictability and softened ‘subversion’. In fact, the hyperconformism exhibited by sects such as the ‘crasher kids’ [Read more →]

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