News

Let the Children Play 3

January 23rd, 2009

PREFACE TO “LASCIATE CHE I BIMBI. PEDOFILIA: PRETESTO PER LA CACCIA ALLE STREGHE”
[Let The Children… Pedophilia as a Pretext for a Witch Hunt] by Luther
Blissett, Castelvecchi Edizioni, Rome 1997
[Read more →]

Let the Children Play 2

January 22nd, 2009

Date: Thu, 26 Mar 1998 15:16:56 +0100 (MET) X-Sender: tom9351@pop.iperbole.bologna.it Mime-Version: 1.0
To: nettime-l@Desk.nl
From: Luther Blissett Subject: Italian netizens are in danger

THE 1998 ITALIAN CRACKDOWN EXPOSED [Read more →]

Let the Children Play 1

January 22nd, 2009

From: tom9351@iperbole.bologna.it
Date: Fri, 20 Mar 1998 17:15:28 +0100 (MET) X-Sender: tom9351@pop.iperbole.bologna.it (Unverified) Mime-Version: 1.0
To: nettime-l@Desk.nl
Subject: the Blissett crackdown in Italy
[Read more →]

Post-media Operators

January 22nd, 2009

1.
The record industry is in the process of being outflanked by means of the very processes that it has come to rely upon. Since the 60’s its continual efforts to create new needs has meant that it nurtured an everchanging musical soundscape that is now mutating at such a pace that it cannot keep track long enough to harness these musical evolutions in the direction of profit. [Read more →]

4-E

January 22nd, 2009

4-e
One area of electronic dance music that doesn’t seem to be being explored is a more fucked up and experimental use of the slow-break. Force Inc.’s Electric Ladyland series is an exception and one of its frequent contributors, 4-E, has been plying this approach over a series of releases. The Don’t Fuck With Nails release on Force Inc., as well as the more recent Blue/Black on New York’s Home Entertainment label use hardened breaks and detailed electronic noise to create morph-beat tracks. Using slow breaks seems to be about creating spaces in tracks and rather than a wallowing beatless ambience or a muso referentiality to the past, the spaces can, in 4-E’s case, be alternately filled with treated sound, shards of flanged percussion, disco loops and a minimal subdued acid. [Read more →]

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