Reviews

Datacide3 – record reviews

eun
all record reviews published in Datacide3, 1997 [Read more →]

Search & Destroy

wsb
I.the revised boy scout manual
I have in the first issue of datacide discussed a few views on the concept of random assassinations, by on the one hand suggesting that “accidental” killings by the police force actually follow a strategy of intimidation/terror, and pointing to the crimes of the Manson Family supporting the view that random assassinations are the ones that spread the most terror. I will here as a post script briefly review The Revised Boy Scout Manual by William S. Burroughs, and then go on to two cases of killings that were not random at all but fall into a category of surgical strikes against insurrectionists, political assassinations as performed by the state. [Read more →]

Perpetual Commotion

perpetual-commotion

Having a natter with a couple of members of the Critical Art Ensemble (CAE) one of the first things we get to talking about is the unusual structure of the group. Many collectives function on the basis of similarity, a bunch of people with the same talents and interests working in parallel. The five-person Ensemble functions kind of like a techno label. Working across a slew of different media and artforms they operate on a system of a floating hierarchy. Whoever has the most experience in a certain area: text, photography, performance, whatever, takes the lead. As they say, “Under professional circumstances this kind of structure can be very alienating, but in a cellular structure that is really grounded in friendship and trust it’s not a problem.” [Read more →]

BREAK/FLOW versus ACID PLANET

MIXED UP IN THE HAGUE (REMIX)

Dough boy probably told you i don’t carry any Saturday Night Specials or crap like that. It’s all outa State, clean, brand new, top-of-the-line stuff…
Andy the Dealer: Taxis Driver

Whilst those of us in the UK were being deluded by the rise of ‘intelligent techno’, a pocket of resistance arose in the Hague through the activities of the Acid Planet parties and the Bunker label: Unit Moebius, Interr-ference, Rude 66, Sulphur Surfer… [Read more →]

Bonjour Vitesse

When the first french hardcore productions appeared in 1994 (Weapons, GTI, Explore Toi) the tone was set for a sound that differed considerably from what was around at the time, most notably the Gabber scene that had begun to dominate (and some might argue, spoil) the hard-side productions maybe a year earlier. Of course there had been renegades and pioneers mainly in Germany – most importantly C-Tank, but also some stuff on the PCP sublabel SS, Urban Primitivism on Pod, some Praxis and some Monotone stuff – but it was the advent of the french underground that created a whole new field of what became a fairly distinct sound dominated by the fastest succession of repetitive beats around that supplies a steady backbone to freestyle electronic experiments much more noise-based than their east German and Australian speedcore counterparts (who certainly drew some inspiration from Gangstar Toons Industry) who take a lot of elements for their post-Gabber whirlwinds from speedmetal and hip hop. [Read more →]

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